Calligraphic #2 Woman on Chair

Calligraphic #2 Woman on Chair (1914–1918)
by Henry Lyman Saÿen
is a vibrant, abstract watercolor that depicts a seated woman rendered in bold, swirling forms and bright, Fauvist-inspired colors. The figure is defined by energetic, calligraphic lines in black, which structure the composition while the washes of blue, yellow, red, and green create a dynamic and fluid sense of movement. The abstraction of the figure and the chair merges into the colorful background, making it difficult to distinguish between the subject and her surroundings.

This work was created during the height of Saÿen’s artistic career, when he was influenced by the modernist movements in Paris, particularly Fauvism and early abstraction. Saÿen was a pioneer in both art and science, known not only for his paintings but also for his invention of the self-regulating x-ray tube. After studying under Thomas Anshutz and living in Paris, Saÿen became part of the intellectual and artistic circle that included Henri Matisse and Gertrude Stein. His art, particularly this piece, reflects his exposure to the avant-garde art scene and his experimentation with vibrant color and abstract forms.

Calligraphic #2 Woman on Chair is a watercolor on paper mounted on paperboard that showcases Saÿen’s innovative use of line and color. The “calligraphic” quality of the lines is evident in the sweeping, continuous brushstrokes that define the figure and chair. The use of watercolor gives the piece a fluidity and spontaneity, while the mounted paperboard provides a firm structure for the dynamic brushwork. The composition plays with negative space, allowing areas of the paper to remain untouched, emphasizing the bold color contrasts.

The abstract nature of this painting invites multiple interpretations. The fluid lines and vibrant colors suggest a sense of movement and energy, possibly symbolizing the vivacity of modern life or the complexities of human emotion. The figure, although abstract, still conveys a sense of calm amidst the dynamic swirls of color, suggesting a balance between chaos and serenity. The title, Calligraphic, hints at the importance of line and gesture in Saÿen’s work, paralleling the artistic focus on expression through form rather than realism.

Henry Lyman Saÿen’s work, particularly this piece, is significant in the context of early American modernism. His approach to abstraction, influenced by his scientific background and exposure to European avant-garde movements, helped introduce modernist principles to American art. Calligraphic #2 Woman on Chair demonstrates his innovative use of color, line, and abstraction, influencing later developments in abstract art.

Bring the bold energy of Henry Lyman Saÿen’s Calligraphic #2 Woman on Chair into your home. This gallery-wrapped canvas print captures the vibrant color and dynamic lines of Saÿen’s abstract masterpiece. Available in multiple sizes, each canvas is carefully stretched over a solid frame to ensure lasting durability. Choose between walnut or black frame options to complement your décor, and enjoy a touch of early 20th-century modernism in your space.